“Hoppers“ is a movie about beavers. More specifically, it’s a movie about a nature-loving college student who discovers the technology to transplant her mind into a robotic beaver, pretending to be a beaver to save a pond from human interference. Is it wacky? 100%. Filled with funny antics? Also 100%. But… that’s not all.
“Hoppers,” released on Mar. 6 this year, completely subverted my initial impression of it as a tame film advocating environmental consciousness. I first assumed that the movie’s premise of robot beavers existed simply to place the human protagonist into the shoes of animals. However, by its third act, “Hoppers” goes off the rails with this concept, morphing into a film that’s galaxies apart from the one I’d first expected to see.
I went in anticipating a lighthearted comedy with a low-stakes conflict, and at first, that’s what I got. The first half stays subdued, hitting the beats of a typical animated family movie with themes of nature, honoring loved ones and not fitting in. The college-aged protagonist Mabel’s motive of saving her local pond from the city’s construction project is introduced within minutes, making me feel as if the plot was overly simple and could be wrapped up within half an hour.
But then, at one moment around halfway into the movie, the theater falls silent. With this one scene, there’s a palpable shift in the atmosphere of the film, and everything snowballs from there. Without getting into spoilers, I will just say this: for the second and third acts of the movie, I was at the edge of my seat.
The more intense and even eerie elements found within the second half of “Hoppers” made it such a great watch for me. The level of intensity reminded me of movies from the Disney Renaissance (a period of great success for the studio from 1989 to 1999) and older Pixar films that weren’t afraid to stray into darker territories. The villain in this movie is so refreshingly evil, and a lot of fun to watch.
But that’s not to say I don’t appreciate the humor as well—despite the tone shift, the movie retains clever quips and quirky jokes throughout. The balance between the darker mood and the occasional gag keeps the film fresh and engaging.
The main character, Mabel, is also refreshingly unique. I liked that the movie explored more intense emotions and stubbornness with her personality, while also delving into her feelings of inadequacy and self doubt. I also love how her human character design reflects her personality, with her wild, spiky hair and freckles, and appreciate that we got to see equal parts of her beaver and human counterparts, since many body-swap movies (for example, Pixar’s Soul) usually don’t highlight the human design as much.
The movie contains a primary body swap element, with the other characters being unaware of Mabel’s true identity as a human. The use of this trope paints a picture for a cliche betrayal story beat in the second or third act of the movie, which I internally dreaded as the first act went on.
However, the movie doesn’t tread through the stereotypical “secret reveal” drama that splits the main characters apart in the third act, instead offering a more nuanced character conflict that resolves more quickly. The relationships are written with care, especially Mabel and the beaver King George’s friendship, which I thought was sweet despite its unconventionality. The quality in the characters’ relationships got me invested in their eventual conflict, while making the lack of cliche misunderstandings even better.
In between the humor and action found throughout “Hoppers”, there are numerous heartfelt emotional moments in the film, not only between Mabel and her animal friends, but also Mabel and her grandma, that allow the story time to breathe. One criticism I do have about these emotional beats is that Mabel’s recurring flashback of her grandma was shown one too many times throughout the movie, and lost some of its emotional impact along the way.
Overall, “Hoppers” presents a new direction for Pixar. Many recent Pixar movies have been hit or miss (especially with the recent box office failures of Elio and Lightyear) and have drawn criticism for being too tame or generic. But “Hoppers” tells a very original and personal story as well as offering fresh elements and humor to the table.
Overall rating: 4.3/5





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