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The student news site of The Harker School.

Harker Aquila

The student news site of The Harker School.

Harker Aquila

The student news site of The Harker School.

Harker Aquila

"Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade" is a 200 page true crime memoir by Walter Kirn that was first published on March 3, 2014. Kirn is also the author of "Up in the Air," "Thumbsucker" and "Lost in the Meritocracy."

A murder for the sake of literature

by Aastha Mangla, Reporter April 20, 2021

Aastha's ranking: ★★★☆☆ From simply grazing my eyes over my bookshelf, I can easily identify red covers and crackled text, the telltale signs of horror novels. My interest in horror novels...

I found the perfect route that gave me the right amount of exercise and provided the most scenic views. It made me feel closer to my neighborhood. 

Stories from quarantine: A rainy spring

by Olivia Guo, Humans of Harker profiler April 22, 2020

Glimmering drops of water hang off the bottom of my clear umbrella as I walk along Villa Drive, leaves crackling under my shoes. This was a street I had grown accustomed to on my many walks during spring...

Hiking is a family tradition: whether we are away on vacation or right outside my house, my family and I frequently explore our surroundings. Wildlife takes the opportunity to come out, and I see more creatures than I ever have before.

Stories from quarantine: Hiking into the woods

by Anika Mani, TALON Reporter April 21, 2020

Surrounded by the tall, lush green redwood trees, I stroll through the empty woods. The sun peeks out of one of few clouds in the sky and warms the crisp air. Swarms of bees buzz, and a soft breeze rustles...

In quarantine, we just have ourselves. So I used my time in isolation to see if I could do it all: be both model and photographer.

Stories from quarantine: Euphoria

by Anoushka Buch, TALON Student Life and Conservatory Editor April 19, 2020

Dappled in yellow lighting and adorned with chunky sparkles, a face looks up to a point beyond the camera. The expression is hard-to-read: it’s not emotionless, yet it lacks the extremity of the banal...

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