Squid Game’s second season became the third most watched show on Netflix within days of its release. The show’s first season was succinct and cutting, stimulating conversations about the effects of capitalism on society. Although I thought the first season created a complete narrative, I was excited for another. However, while watching the second season, I could not help but feel that it defeated the purpose of the first.
In terms of production and entertainment value, Squid Game’s second season delivers. The videography looks stunning, the actors perform their roles impeccably and the plot is engaging. Nevertheless, something appears to be missing.
The first season created an immersive new world with its fantastical game. The gameplay itself was simple, but it raised some questions for the audience. Who was the person controlling the game, and what was their motivation? These mysteries and their lack of real conclusions make the show so compelling—they are what keep the viewers making up theories and extrapolating their own themes.
By centering the plot around finding the origin of the game, Squid Game’s second season spoils this sense of mystery. As the show spoon-fed more and more information to me, I no longer needed to guess the origin of the game or come up with my own theories. Instead, the show felt mind-numbing — something to have on in the background rather than devote my full attention to.
This show’s plots may still be interesting, but it loses what made the first season so special. I felt more engaged with Squid Game when it embraced its simple but inventive concept rather than trying to make their worlds larger and larger. While creators may feel the need to explain every aspect of their shows, they should instead allow viewers to fill in the gaps.
The decline of Squid Game’s storytelling may have its roots in the director’s motivation for creating a second season. While the first season was born out of creator Hwang Dong-hyuk’s frustration with the capitalistic elite, the second season is a result of capitalist business taking advantage of him. Originally, Hwang only envisioned one season for his show due to the stress he experienced directing the first. However, he produced a second season due to Netflix not paying him fairly despite the success of Squid Game.
Squid Game’s anti-capitalist message becomes further diluted with the many trends and challenges associated with the show. This issue already became apparent after the release of the first season, but the second exacerbated it. Popular YouTuber Mr. Beast made his own spinoff of the show called “Beast Games,” where 2,000 contestants fight for a grand prize of five million dollars. This reality show fundamentally misunderstands the point of Squid Game. It trivializes the original show’s themes, reducing it to just a game show rather than a brutal and critical thriller.
Ultimately, Hwang is not the problem—he is just another victim of the injustice of capitalism. While it took 12 years to create Squid Game’s first season, season two came just three years following the first. The final season of the show is predicted to come out in 2025. This accelerated timeline proves that Netflix wants to capitalize on the Squid Game buzz rather than letting the excellent first season stand by itself.
Squid Game’s first season captivated me. The second, despite its production quality, failed to capture that same feeling. Creating a franchise out of a show so blatantly anti-capitalist rubs me the wrong way, and it renders its own message less impactful.