Professional dancer Davarria Ford instructed a jazz funk masterclass, open to all students, on Aug. 29 in the dance room.
Ford taught a routine to a remix of “1 Thing” by Amerie that he had co-choreographed with a friend. While offering detailed technical advice, he encouraged students to add variations to make the steps their own.
“He gives us a lot of freedom to choose what we do with the moves,” attendee Jennifer Liu (11) said. “He told us to ‘melt’ between moves — you have a lot of control and a lot of time to find your feeling in the moves. He gave us a lot of opportunities to see how he does it and then find out how we want to do it ourselves.”
To help students practice, Ford organized the class into small groups and offered individualized feedback on technical nuances, like pausing for emphasis and contrasting textures, demonstrating how careful adjustments can change the emotional impact of a dance move.
Senior attendee Venus Perkins shared her takeaways from the workshop.
“Tell your story through your dance,” Venus said. “Whatever the message is supposed to be, do whatever it takes to portray that to the audience. You want them to feel what you’re feeling. Your facials and overall vibe can match what the dance is supposed to be.”

Originally from the Bay Area, Ford earned his Bachelor of Fine Arts in Dance from San Jose State University, where he was one of dance teacher Jill Yager’s students from the class of 2022.
While living in the Bay Area, Ford danced with the modern company seymour::dancecollective and competitive hiphop team Syndicate. Now based in New York City, Ford specializes in hip hop and jazz funk and performs with Gotham Dance Theater, a Queens-based contemporary and street dance company creating socially engaged theater, and with Camille A. Brown & Dancers, the troupe led by acclaimed choreographer Camille A. Brown. He shared his experiences creating original choreography based on his time both working with renowned professionals and as a self-taught dancer.
“Listen to whatever music makes you feel really good, where you’re like, ‘this is motivating me, this is inspiring me,’” Ford said. “Make choreography to music that you really enjoy because then it comes naturally. You’re already grooving — take the groove and see where else it can go.”