Contributors to Capital Campaign sign girder
January 16, 2017
Donors for the Capital Campaign signed a white painted I-beam in Nichol’s atrium throughout last week to commemorate contributions to and the progress of the construction.
The atrium hosted two events for donors with the opportunity to sign the beam, and around 400 people in the Harker community gathered at lunch and evening event on Thursday. Executive Director of Advancement, Joe Rosenthal, headed the event.
“The most important thing to me is to try to express our gratitude for the impact that their contributions are going to have for our students and for them to be able to feel good about the impact that they’re making for our students,” Rosenthal said.
Before the event, the beam and the felt tip pens were left out, with no clear purpose. On the way to their meetings, a few students wrote on and signed the beam, including the phrase “do dank memes melt steel beams” written in large print.
“There were a bunch of people crowding around the beam,” said Priyanka Taneja (12) who herself did not sign the beam. “There were sharpies laid out, so people just assumed [they] could sign it.”
The administration was understanding, attaching signs to the steel girder explaining its intended function. In addition, the students who signed the beam faced no disciplinary consequences.
“We appreciate the senior’s enthusiasm,” Managing Director of Advancement, Melinda Gonzales said. “But that wasn’t the intended purpose.”
Rosenthal and the Advancement team took no issue with the incident, saying that ideally many more people in the Harker Community could have a chance to leave a message.
“The tradition is that the donors sign it,” Rosenthal said. “But I would totally be okay with the idea of every member of the community that has to put up with a little bit of a sacrifice in respect to loss of space or parking or traffic: that’s a contribution towards this cause as well.”
For Rosenthal, the beam signifies an idea coming to fruition. The architectural plans have the beam placed in “section 10” in the Performing Arts building which, according to Rosenthal, is integral to the theater’s structure.