Vampire Weekend emerges once again – 4/5 stars

by Allison Sun

After three long years, Vampire Weekend has officially risen from its coffin.

Released on May 14, their new album Modern Vampires of the City is an eclectic mix of old and new. Based on the indie rock band’s novel darker tunes, it’s evident that the once preppy, fresh out of college members of Vampire Weekend have transcended their youthful spirit.

Lead single “Step” is an eloquent, mellow ballad with swaying rhythms and touches of music from the late 20th century. Perhaps one of the most noteworthy highlights of this album, the song is complete with harpsichord riffs in the background and eccentric lyrics: “Your girl was in Berkeley with her Communist reader. Mine was entombed within boombox and Walkman.”

In the second single “Diane Young,” Vampire Weekend spins out an entirely different style but continues to manifest itself in the music of the 1900s by bringing out classic rock ‘n’ roll. It’s hard to resist the song-title’s clever pun (“dying young,” get it?).

Amid the sunny vibes, Vampire Weekend unveils its first dark and hauntingly beautiful song “Hudson.” The synth-heavy track is a completely new direction for the band, as lead singer Ezra Koenig croons with a ghostly undertone, “The legendary wooden gate, the first established real estate is lost in time like all the crimes that won this pleasant land.”

Throughout the album, the band maintains its knack for pensive lyrics and catchy beats in songs such as “Ya Hey,” “Hannah Hunt,” and “Don’t Lie.”

Compared to its first two albums, Vampire Weekend and Contra, the band has certainly grown in both its music and its popularity by crossing into new territory and experimenting with new sounds. Modern Vampires of the City is a well-crafted album that incorporates a darker feel as well as the band’s usual lyrical brilliance and quality music.