Review: Oz the Great and Powerful – 3/5 stars

by Apurva Gorti

You’ve got The Wonderful Wizard of Oz, Wicked, and now Oz the Great and Powerful. What makes L. Frank Baum’s century old fantasyland of Oz so intriguing? It’s uncertain, but originality definitely isn’t it.

Filled with witches, flying monkeys, and talking dolls, Disney’s newest feature film, Oz, has captivated thousands with its spell, locking itself in as the number one box office movie for the second weekend in a row.

The story of Oz serves as a prequel to the well-known novel and movie, The Wonderful Wizard of Oz. It follows carnival magician Oscar “Oz” Diggs (James Franco) as he attempts to redeem himself in the new colorful world he’s been blown into by a tornado. Right off the bat, Digg’s journey seems to be following the same familiar current as Dorothy’s.

Unlike in the 1930s classic though, Oz has well-crafted characters who actually go through deep self-reflection and personality change before the end of the film. While maintaining its family friendly appeal, Oz also has some darker moments that are oddly refreshing. For example, Franco embodies an arrogant, greedy, and womanizing (don’t worry, Disney kept it PG) con-man who struggles to fall out of sinful habit.

It is also nicely surprising to see director Sam Raimi present Mila Kunis’ character Theodora initially as a damsel in distress and then show her deterioration into a wicked witch. Disney is usually known for sugar-coating reality, so it is unexpected, disconcerting, and even pleasant to see that “happily ever after” is not always true.

What Oz lacks, however, is any distant form of original plot. Good guy fights bad guy, good guy beats bad guy, and good guy has some sort of talking animal companion. 2D viewers beware: you’ll end up counting the kernels at the bottom of your popcorn bag. The only thing keeping you awake through it all are the startling 3D effects of monkey tails and fire coming straight at you.

It is clear that Oz the Great and Powerful was an attempt to capitalize on the fascination with Oz that came with the success of popular musical Wicked. If you have a free afternoon, it may be worth it to marvel at Academy award winner Scott Stokdyk’s visual effects or laugh at Franco’s devil may care persona.